photographic image printed in green and yellow of three rows of people wearing gas masks of various types; pink banner with yellow text at top: "IT'S A GAS!"; blue ground with black vertical lines; blue typewritten text at bottom — Quicksilver, Charlatans, It's A Beautiful Day, Avalon Ballroom, April 26-28, 1968, 1968
Alton Kelley

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pink ground; painterly face of woman in yellow; gold lettering at bottom; gold typewritten text at bottom — Canned Heat, Allmen Joy, 1601 West Evans Street, Denver, October 20-21, 1967, 1967
Alton Kelley

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blurry black-and-white photo of a sculpture of a nude woman holding a curving flowing drapery over her head and behind her back; black ground; white arcing text with red star at center at left side — Jefferson Airplane, Other Half, 1601 West Evans Street, Denver, November 7-8, 1967, 1967
Alton Kelley

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photographic image of standing woman wearing a sheer garment over her head and body; red ground with orange Family Dog symbols; black text in lower corners; black typewritten text at bottom — Vanilla Fudge, Charles Lloyd Quartet, Avalon Ballroom, September 29-October 1, 1967, 1967
Alton Kelley

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motorcycle with "TRUTH" in the chrome on side; black border with white text at bottom; blue typewritten text at bottom center — Soul Survivors, Box Tops, Jimmerfield Legend, 1601 West Evans Street, Denver, December 15-16, 1967, 1967
Alton Kelley

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Family Dog poster no. 41; orange background with illustration of back of sailing ship ship on water in center, with "1967" on back — Country Joe and the Fish, Moby Grape, Lee Michaels, Avalon Ballroom, December 30-31, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

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Family Dog poster no. 78; blue background with nude female figure with wings; orange and pink; purple typewritten text at bottom — Miller Blues Band, Mother Earth, Bukka White, Avalon Ballroom, September 1-3, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

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photo of man with his PL hand up to his head, looking down at an inkwell, with a pen beneath his PR hand; orange, red, yellow, and black; "HEAVY" in elaborate text at top; black typewritten text at bottom — Country Joe and the Fish, Charlatans, Dan Hicks and His Hot Licks, Avalon Ballroom, January 26-28, 1968, 1968
Alton Kelley; Artist: Stanley Mouse

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printed in black on fluorescent red ground; five men seated in a small rowboat at bottom center; black sky; low horizon line — Bob Diddley, Sons of Adam, Little Water, Longshoremen's Hall and Avalon Ballroom, August 5-7, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

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rectangular black-and-white image of an air balloon with a ball with stars and large American flags at bottom, with a female figure standing on ball and a male acrobat hanging face up from bottom of ball; blue ground; patriotic striped archway with draping curtain forms — Daily Flash, Quicksilver Messenger Service, Country Joe and the Fish, Avalon Ballroom, November 18-19, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

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printed in purple; small oval image of a bare-breasted woman with a snake's head on her PR shoulder; oval composition with "LOVE CONCERT / DANCE" around oval opening — Big Brother and the Holding Company, Avalon Ballroom, July 15-16, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

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head of cartoon man with glasses (Alfred E. Neuman) in oval at top center with an atomic mushroom cloud in ULC and a toadstool in URC; pair of hands holding a book at bottom; printed in black, medium green, light green, and tan; green typewritten text at bottom — Other Half, Sons of Champlin, 1601 West Evans Street, Denver, November 10-11, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

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printed in purple and tan; oval image of a woman with a large snake draped around her body, with the snake's head on her PR shoulder; background printed in tan with lacy pattern — Jefferson Airplane, Great Society, Avalon Ballroom, July 22-23, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

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%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver Messenger Service, The Great Society, Avalon Ballroom, September 9-10, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

Not on View

tan ground; symmetrical organic orange-red and red scrolling design surrounding tan ankh with Eye of Horus at center; black typewritten text at bottom — Allmen Joy, Lothar and the Hand People, 1601 West Evans Street, Denver, October 27-28, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

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printed in orange and bright blue; oval photographic image of ruins of a building with columns and curved balcony, with men with shovels in front of it — Bob Diddley, Big Brother and the Holding Company, Avalon Ballroom, August 12-13, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

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printed in blue and gold; "ZIG-ZAG" at top; oval with simplified bearded man's face, smoking a cigarette, in blue; text on ribbons — Big Brother and the Holding Company, Quicksilver Messenger Service, Avalon Ballroom, June 24-25, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

central rectangle with black-and-white photo of a young man with a feather in his long hair, wearing beaded necklaces; symmetrical design with black and gold border motifs; black typewritten text at bottom — Big Brother and the Holding Company, Quicksilver Messenger Service, Oxford Circle, Avalon Ballroom, February 17-18, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

photograph of a seated woman with blonde bobbed hair, with her face lifted upwards, with closed eyes, her hands cupped in front of her chest; woman wears draping garment; photo printed in purple; red and white text, with red scrolls flowing from woman's cupped hands; purple text at bottom — Moby Grape, The Sparrow, The Charlatans, Avalon Ballroom, January 13-14, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

green printing on white, resembling a dollar bill; central black and white image of a Native American man with long hair wearing a top hat, with a cigarette in his mouth — Big Brother and the Holding Company, The Oxford Circle, Bob Diddley, Sons of Adam, Avalon Ballroom, August 5-6, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in brown, red, and green; red house held by a green claw emerging from the ground, with a red vine around it and three flowers — 13th Floor Elevators, The Sir Douglas Quintet, September 2-3, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse

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central square design with woman's face in purple with lacy flowers and foliage superimposed over top; printed in black, blue, red, and purple — Big Brother and the Holding Company, The Sir Douglas Quintet, Avalon Ballroom, October 15-16, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

photographic portrait of Native American man with long hair wearing a hat, beaded necklace, and three medals on his vest; orange and red organic symmetrical designs over image; black text; black typewritten text at bottom — Van Morrison, The Daily Flash, 1601 West Evans Street, Denver, October 13-14, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

black-and-white; portrait of Edgar Allen Poe with large radiating letters on either side of his head — Daily Flash, Country Joe and the Fish, Avalon Ballroom, October 21-22, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in red and orange on tan ground; light-colored seated dog in front of a gramophone, with an orange cloud emerging from the gramophone horn, entering one of the dog's ears and exiting the other; text in orange cloud at top — Bob Diddley, Quicksilver Messenger Service, Avalon Ballroom, July 28-30, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

standing man with a Mohawk hairstyle carrying a tomahawk, wearing an armband and feathers, inside an oval with zigzag pattern in red, blue, and yellow in background; red ground with blue text and patterns; figure printed in black on red — The Youngbloods, The Sparrow, Sons of Champlin, Avalon Ballroom, December 16-17, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in black and yellow; Art Deco-style symmetrical form with face of Frankenstein below center and flowers in lower corners — Grateful Dead, Sopwith Camel, August 19-20, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in brown and green; cartoon image of Smokey the Bear wearing a flat-brimmed hat and pants with a belt buckle printed "SMOKEY", holding an electric guitar — The Sir Douglas Quintet, Everpresent Fullness, Avalon Ballroom, July 8-10, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

green snarling, barking wolf's head with open mouth and red eyes, punching through a dark green banner; printed in black, red, orange, and green — Howlin' Wolf, Big Brother and the Holding Company, Avalon Ballroom, September 23-24, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in green, blue, and yellow; image of three singing heavyset men wearing medieval clothing at center — Captain Beefheart and his Magic Band, The Charlatans, Avalon Ballroom, August 26-27, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green — "The Woman with Green Hair," Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

red and blue text over brown image of man in fedora hat with button on coat that reads "Indian Agent"; black outline around image and text — Jefferson Airplane, Big Brother and the Holding Company, Quicksilver Messenger Service, The Charlatans, The Grateful Dead, May 30, Winterland, 1967
Rick Griffin; Artist: Alton Kelley; Artist: Stanley Mouse

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Family Dog poster no. 45; gold background with standing female figure with very long golden hair wearing a green robe leaning on a tall vase against red circle; green text — The Grateful Dead, Quicksilver Messenger Service, January 27-28, Avalon Ballroom, 1967
Alton Kelley; Designer: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners — "Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 96; lavender background with dark oval image of embracing couple at center with view of man's back and woman's bare arms; text in purple and blue above and below; black typewritten text at bottom — "Dance Dance," Quicksilver Messenger Service, The Charlatans, Congress of Wonders, December 15-17, Avalon Ballroom, 1967
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 109; green background with female figure surrounded by hair in purple; purple typewritten text at bottom — "Lovelady," Love, Congress of Wonders, Sons of Champlin, March 8-10, Avalon Ballroom, 1968
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 26; skeleton surrounded by red and white roses and wearing a crown of roses against blue background — "Skull and Roses," Grateful Dead, Oxford Circle, September 16-17, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

black textbox with purple and pink block lettering, framed by different concert posters in orange, pink, and purple; black and white image of curly haired man at top (Bob Fried) — Jerry Garcia and Friends, Kingfish, Keith and Donna, The Mirrors, Winterland, June 17, 1975, 1975
Bob Fried; Artist: Alton Kelley; Artist: Victor Moscoso; Artist: Stanley Mouse; Artist: Randy Tuten; Artist: Wes Wilson

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